State of art galleried in the us12/21/2023 ![]() Wondeur AI devised a metric to measure this phenomenon - “risk appetite,” defined as an institution’s willingness to exhibit early-career artists before other galleries or museums. San Francisco and Chicago had the highest percentage of galleries centering emerging artists (39%) and Los Angeles and Chicago had the most museums focused on them (21% and 24%, respectively).īut focusing on early-career artists did not equate with a readiness to exhibit lesser-known emerging artists. The report identified the five American cities with the most art institutions - New York City, Los Angeles, San Francisco, Chicago, and Miami - and ranked their galleries and museums based on the proportion of star, established, and emerging artists they represented. Researchers then examined the “art ecosystem” across the country, focusing on how emerging artists fared in different American cities. “Unlike most museums, galleries are important from an early stage, and feature in the exhibition programs of artists all the way through their careers.” “This indicates that commercial galleries in the US play a critical role in the careers of artists, with a range of different galleries focused on artists at different career stages,” the report reads. The report found that even though gallery sales still favored the stars, exhibition programming was much more inclusive of lesser-known names. In addition to displaying the work of more non-star artists than museums, galleries also exhibited slightly more work by emerging artists than other types of nonprofits and cultural organizations did. (© Arts Economics, 2022 with data from Wondeur AI screenshot Valentina Di Liscia/Hyperallergic) Nearly half of US museums focus on the top 4% of contemporary artists. An institution’s focus was determined by the category of artist they showed the most. The company then examined how many artists in each category for-profit and nonprofit institutions exhibited between 20. Wondeur AI categorized 250,000 living artists into three categories based on the number of group and solo exhibitions they’d earned, the prestige of the exhibiting institutions, and museum acquisitions: “stars” (the top 4%), “established” (the next 12%), and “emerging” (the remaining 84%). Based on data from analytics company Wondeur AI, the research also analyzed which American cities are most promising for new emerging artists, finding gender disparities in the opportunities available to them and variance in those artists’ performance after exhibitions in different urban centers.
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